Pharmakon: Scapegoat-poison-remedy
Jorge das Neves
2022
até 
17
January 2022
Círculo Sereia
Pharmakon: Scapegoat-poison-remedy

Pharmakon: Scapegoat-poison-remedy

Collective Exhibition

Pharmakon: Scapegoat-poison-remedy

Exposição Coletiva

16
November 2021
to
17
January 2022
Círculo Sereia

The Exhibition Pharmakon is a collaboration between the Convergent Program from Anozero'21—22 and Colóquio Coimbra 30—2030 (Colloquium Coimbra 30—2030), organized by the Department of Architecture of the University of Coimbra, the Centre of Social Studies (CES) and the Centre for Interdisciplinary Studies (CEIS20). Pharmakon aims to reflect on the urban architecture and space of the city of Coimbra, from Roman times to contemporaneity. Given this context, it is a photographic exhibition, held through the invitation from the Coimbra Colloquium 30-2030 to the author, for the identified works to face off over two days.

No remedy is harmless. Pharmakon can never just be simply beneficial. Its essence or virtue cannot stop it from being painful. This painful fruition is a pharmakon within itself. Fruition takes part in both good and evil, pleasant and unpleasant at the same time. Or rather, the oppositions are designed in their element. The horrible, the grotesque, the comical, the fantastical, the beautiful, the kitsch, the gracious, the tragic, the repulsive, the bland, or even the vomit are all under tension, in two different poles always at play. Few are the territories without two ends, a rope of things that happened and happen; and, in the end, the spasm of knowing if the rope spanned or not. The skeleton of death itself.

Jorge das Neves

The Exhibition Pharmakon is a collaboration between the Convergent Program from Anozero'21—22 and Colóquio Coimbra 30—2030 (Colloquium Coimbra 30—2030), organized by the Department of Architecture of the University of Coimbra, the Centre of Social Studies (CES) and the Centre for Interdisciplinary Studies (CEIS20). Pharmakon aims to reflect on the urban architecture and space of the city of Coimbra, from Roman times to contemporaneity. Given this context, it is a photographic exhibition, held through the invitation from the Coimbra Colloquium 30-2030 to the author, for the identified works to face off over two days.

No remedy is harmless. Pharmakon can never just be simply beneficial. Its essence or virtue cannot stop it from being painful. This painful fruition is a pharmakon within itself. Fruition takes part in both good and evil, pleasant and unpleasant at the same time. Or rather, the oppositions are designed in their element. The horrible, the grotesque, the comical, the fantastical, the beautiful, the kitsch, the gracious, the tragic, the repulsive, the bland, or even the vomit are all under tension, in two different poles always at play. Few are the territories without two ends, a rope of things that happened and happen; and, in the end, the spasm of knowing if the rope spanned or not. The skeleton of death itself.

Jorge das Neves

Artists

Jorge das Neves

Curated by

No items found.

Curadoria

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Exhibition Views

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Video

Location and schedule

Location

Localização

Tuesday to Saturday 2 p.m. to 6 p.m.

Associated activities

Não foram encontradas atividades associadas.

Exhibition room sheet

Acknowledgements

José António Bandeirinha Luis Miguel Correia Carolina Coelho Martinho Araújo T.art

Notícias Associadas

More information

Technical sheet

Open technical sheet

Organization
Coimbra Plastic Arts Circle
Anozero'21—22 Convergent Program MIDNIGHT

Production
Jorge das Neves

Executive Production
Daniel Madeira

Production Coordination
Nelson Ricardo Martins
Lisiane Mutti

Educational Coordination
Jorge Cabrera

Production Support
Ivone Antunes

Installation
Jorge das Neves
Marco Graça

Photography
Jorge das Neves

Texts
Daniel Madeira
Jorge das Neves

Translation
Hugo Carriço (FLUC intern)

Proofreading
Carina Correia

Graphic Design
Alexandra Oliveira

Art Direction
João Bicker
Joana Monteiro

Support

No items found.

Institutional support