As we learned when we were kids, in a staring contest, one cannot smile, blink or even look away. All those things are subjected to the ultimate penalty: defeat. When two bodies face each other in a Staring Contest, the tension between them is too evident. There is no place for compromise.
In this curatorial project, we ask the artistic community (and beyond) to suggest one or more objects that can be partnered up with the exhibited work.
In this third moment, from November 18th to January 28th, a partner was sought for Sara Bichão’s As facas não mordem (2, batom) (2020).
After the deliberation of the jury, this edition of Staring Contest features an object proposed by Laurindo Marta, in response to the already announced work. The relationship between As facas não mordem (2, batom) and Órgão seemed to the jury to be the most appropriate, taking into account the curatorial assumption, despite the quality of the various proposals submitted.
Let’s play a Staring Contest. One body facing another. They must stare at each other.
Whoever smiles, looks away or blinks loses.
To be still, but not motionless: the play is on as it games on lethargy. A contribution to a symmetry of intentions, broken by the asymmetry on the surface
Daniel Madeira
As we learned when we were kids, in a staring contest, one cannot smile, blink or even look away. All those things are subjected to the ultimate penalty: defeat. When two bodies face each other in a Staring Contest, the tension between them is too evident. There is no place for compromise.
In this curatorial project, we ask the artistic community (and beyond) to suggest one or more objects that can be partnered up with the exhibited work.
In this third moment, from November 18th to January 28th, a partner was sought for Sara Bichão’s As facas não mordem (2, batom) (2020).
After the deliberation of the jury, this edition of Staring Contest features an object proposed by Laurindo Marta, in response to the already announced work. The relationship between As facas não mordem (2, batom) and Órgão seemed to the jury to be the most appropriate, taking into account the curatorial assumption, despite the quality of the various proposals submitted.
Let’s play a Staring Contest. One body facing another. They must stare at each other.
Whoever smiles, looks away or blinks loses.
To be still, but not motionless: the play is on as it games on lethargy. A contribution to a symmetry of intentions, broken by the asymmetry on the surface
Daniel Madeira
Organization
Círculo de Artes Plásticas de Coimbra
Curated by
Daniel Madeira
Production Coordination
Daniel Madeira
Lisiane Mutti
Production Support
Ivone Antunes
Installation
Jorge das Neves (coordination)
Marco Graça
Art Direction
João Bicker
Joana Monteiro
Graphic Design
Alexandra Oliveira
Text
Daniel Madeira
Proofreading
Carina Correia
Translation
José Roseira
Hugo Carriço (FLUC intern)