As stated by Jorge Molder in an interview with Miguel Nabinho, the images explained to him that their dimension — their relationship to himself — is a Grandes Planos (closeup photography) relationship. […]

According to Jorge Molder, metaphor is exactly taking one thing from one place to another; he believes it is fundamental to go somewhere and at the same time to establish an ambiguity, a perplexity in the face of what one is seeing. Molder believes that it is interesting, or important even, for the viewer to have something to help them and something else to hinder them, to hinder their access to work. He thinks so because this work/effort to search, to question, makes in a way the relationship with the person, who in this case is the images, richer and more complex.